In 1961, the then-exiled George Stroganoff claimed that the Cranach paintings, as well as a Rembrandt and a Petrus Christus, were taken from his family following the Russian Revolution. Then, in an unexpected turn of events, the previous Russian owners, the Stroganoffs, made a claim on Adam and Eve. Despite the fact that she has been met with resistance in this case, she remains undaunted and is optimistic that she will prevail in the end.”ĭesi Goudstikker, Jacques’s widow, was given the chance to make a claim on the paintings after the war, but never went through with the procedure, as she felt it would not be carried out fairly. von Saher firmly believes that amicable negotiations are the best way to handle Nazi-looted art claims and has resolved dozens of claims with private individuals, galleries and museums on that basis. von Saher has been gratified by her many successes, especially when those in possession of her artworks have done the right thing and returned the works to her without her having to resort to litigation. “Over the many years that she has sought justice for the theft of Jacques Goudstikker’s property by the Nazis, Ms. von Saher is disappointed with the court’s decision, and she intends to file an appeal,” said Larry Kaye, of New York firm Herrick Feinstein, in a statement to artnet News. Report Reveals Germany Returned Nazi-Looted Artworks to Nazi Families Instead of Victims It was then that he was forced to make the sale to Göring the works were returned to the Netherlands once the war had ended. Goudstikker had bought the works, which had been put up for sale by the Soviet government, at auction in Berlin, in 1931 before feeling Germany for the Netherlands, which fell under Nazi occupation in 1940. Jewish collector Jacques Goudstikker was forced to sell the paintings in question to Nazi leader Hermann Göring during World War II. “We have placed the panels on near-constant public display since 1971 and will continue to ensure they remain accessible to the public for years to come.” “The Norton Simon takes seriously the fiduciary responsibility to the public that our ownership of such important artworks confers,” the Norton Simon Foundation said in a statement. Judge John Walter ruled on August 15th that the Goudstikker family had not met the requisite filing deadlines for an ownership claim on the paintings, according to the Art Newspaper. Court Declines to Hear Norton Simon’s Nazi-Loot Appeal
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